Effect no.1 used: Monochromatic Channel mixer
Effect no.1 on photo: isolated the distractions of color on the image –> Focus on architectural space, form and structure.
Effect no. 2 used: Levels Layer tweaked such that black and white sliders were on far ends with grey slightly towards the black
Effect no. 2 on photo: Having bipolar level sliders meant greater contrast. The grey sliders acting as “shade mediums” made sure the polarity in color was not too contrasting such that there was no form in the building space.
Effect no. 3 used: Curves Layer with an arch instead of a traditional S graph meant the objects in the middle of the photo were emphasized and in combination with Effect no. 2, provided a large kick to the central vanishing point of the photo. The center was almost absolutely bright, as opposed to the darker defining facets and sheets of glass and stone.
Effect no.3 on photo: The “pop” added to effect no. 2 by no. 3 isolated all the minor details to the surrounding of the building interior such that the user would focus even more on the general central focal point of the photo.
Effect no. 4 used: Overlay mode layer of dodge used to link some white areas on the photo together so it would look complete with the central body of white, and dodge used lightly to smooth outer edges that merged into the white center.
Effect no. 4 on photo: For such a rectangular and uniform interior space, the viewer needed a harmonious experience looking into the bright window. The dodge was used as a “fade in” tool so the viewer can be slowly brought to the center of the photo, from black, through shades of grey, to the vibrant bright outdoor view.